78 definitions
The book's index
Remarks on Colour
51 concepts · 78 definitions
- Amber1
- appearance1
- black3
- blindness1
- blue1
- blue sky1
- brown1
- calculation1
- color6
- colour concepts6
- colour harmony1
- colour octahedron1
- dark1
- darkness1
- deviation1
- distance1
- gestalt psychology1
- ghost1
- glow1
- gold1
- grey4
- highlights1
- imitation1
- Jigsaw1
- knowledge by description1
- light1
- lightness1
- looking1
- milk1
- pain1
- perfect pitch1
- phenomenology1
- philosophy1
- physics1
- planet1
- prejudice1
- primary phenomenon1
- problem1
- prophecy1
- reddish-green1
- sameness1
- seeing3
- seeming2
- self-knowledge1
- simplification1
- squinting1
- teaching1
- Theory of Colours1
- transparency3
- visual space1
- white8
White (n.) is the lightest colour on the palette, yet in a picture the blue sky can be lighter than white paper, as Goethe noted.
White (n.) sometimes stands level with pure colours, as in flags, sometimes not; that we draw a sharp line here makes it a conceptual matter.
White (n.) as a substance colour is the lightest, colour being a darkening, so with all darkening removed white is left and may be called colourless.
White (n.) is not essentially a surface property, since it can appear as a highlight or the colour of a flame.
Color (n.) has no accepted criterion except being one of our colours, so others' unusual colour words need not show they see new colours.
Color (n.) has a logic that achieves what people wrongly expected of a physiological or psychological theory.
Color (n.) need not exclude black and white; a wallpaper of red, blue, black and white squares is not split into coloured and uncoloured parts.
Color (n.) described in a book uses the concepts of the sighted, which raises for whom such a description is meant.
Colour concepts (n.) are to be treated like concepts of sensations, and there is no one pure colour concept.
Colour concepts (n.) look alike when attention falls on their likeness, while their differences lie in their relations to other concepts.
A Colour concepts (n.) is not always of one logical sort: gold or silver colour differ from yellow or grey.
A Colour concepts (n.) held by the colour-blind would differ from ours even with English words, used and learned differently.
Grey (n.) lies between black and white, can take on the hue of any other colour, and is never luminous, whether by concept or natural history.
Grey (n.) is not poorly lit white, nor dark green poorly lit light green; at night all cats are grey means only that colours cannot be told.
Grey (n.) never looks luminous; whatever is grey looks illuminated.
Grey (n.) or white is such only in a particular surrounding.
Transparency (n.) obeys rules like 'white behind red glass looks red': not physics but a rule for interpreting visual space, a rule for painters.
Transparency (n.) is a concept untouched by explaining colour words with paper samples, and it relates unequally to the different colours.
Transparency (n.) exists only in the depth dimension of a visual image; a wholly monochrome image cannot look transparent.
Black (n.) dirties things, Runge said; if it only darkened it could be clear, but because it smirches it cannot be.
Black (n.) differs from dark violet as a bass drum's noise from a kettle-drum's tone: matt and absolutely black.
Black (n.) is the darkest colour and takes luminosity from a colour; we say deep black but not deep white, and black clouds a ruby where darkness does not.
Seeing (n.) is known in a newborn from its following movements with its eyes.
Seeing (n.) is no activity with a description of its own, though the blind learn much about how they differ from the sighted.
Seeing (n.) described to the blind is like football described to a non-player; we can blindfold the sighted but cannot make the blind see for a while.
Seeming (n.) and being may come apart in exceptional cases without being logically independent; the language-game does not reside in the exception.
Seeming (n.) brown to everyone does not make a table brown, yet seeming so to people is their criterion for being so.
Appearance (n.) is tied by psychology to reality, whereas the logic of colour connects appearance only with appearance.
Brown (n.) is above all a surface colour: there is no clear brown, only a muddy one, and no pure brown.