The Greek chorus (n.) does nothing and has only universal considerations in view.
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The Greek chorus (n.) is poetry so perfect in itself that it leaves music nothing to add — no room for the inner life to play.
The Greek chorus (n.) feels for you: while you sit there thinking of the pen you lost and the cheque you must sign, the emotional commentary is done for you.
The Greek chorus (n.) is not a disengaged moralist reflecting from outside but the people as the soil from which the heroes grow — the scene of the spirit, like the temple around the god's image.
The Greek chorus (n.) baffles even Hegel: though he understands German and can grasp a thing or two, a German lyric in that style, spoken on stage and sung besides, would remain obscure to him.
The Greek chorus (n.) gives us the consciousness that a secure refuge of ethical life exists amid the fearful collisions of individuals; the decay of tragedy shows first in the decay of its choruses into ornament.