Absurd (n.) is the essential concept and the first truth.
The Absurd (n.) dies only when we turn away from it, unlike Eurydice.
The Absurd (n.) becomes a passion once recognized — the most harrowing of all.
The Absurd (n.) has meaning only in so far as it is not agreed to.
The Absurd (n.) binds man and world together as only hatred can weld two creatures together.
The Absurd (n.) is the situation we are all involved in, and must accept as it is.
The Absurd (n.) can strike any man in the face at any streetcorner.
The Absurd (n.) is the conflict between man's inherent search for meaning and man's inherent inability to ever discover it.
The Absurd (n.) ceases to be linked to human lucidity the moment it becomes eternity's springboard.
The Absurd (n.) is not the criterion of another world but simply a residue of the experience of this one.
The Absurd (n.) is the divorce between the mind that desires and the world that disappoints.
The Absurd (n.) when reasoned out asks one question: is there a logic to the point of death?
The Absurd (n.) makes merely carrying on superhuman in certain cases — while waging war, aping love, or torturing one's fellow-man are easy.
The Absurd (n.) is the contrary of hope; Chestov proves it only to dispel it — a conjuror's emotional trick.
The Absurd (n.) opens on a universe burning and frigid, transparent and limited, in which nothing is possible but everything is given.
The Absurd (n.) is not in man nor in the world but in their presence together; destroy one term and you destroy the whole.
The Absurd (n.) is no position to hold but an experience to live through — a starting point, existence's counterpart to Descartes's methodical doubt.
The Absurd (n.) does not liberate; it binds. It does not recommend crime, but it restores to remorse its futility.
The Absurd (n.) is lucid reason noting its limits; the irrational of the existentials is reason confused and escaping by negating itself.