Aesthetics Thinkers Definitions

Aesthetics (n.) asks ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠about the artwork half as a thing and half as equipment — and so never about the work itself.

Aesthetics (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a European lens; turned on Japanese art it can only make it foreign to itself.

Aesthetics (n.) as ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠sheer aesthetic-mindedness no longer guards the essential unfolding of art, just as our sheer preoccupation with technology misses its essence.

Aesthetics (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠as old as logic, and does to art what logic does to thinking: it turns the opening of Being into the display of the agreeable.

Aesthetics (n.) turns ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the artwork into an object for our feelings and ideas — and only as an object is it fit for exhibitions and museums, for valuation and appraisal.

Aesthetics (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a framework so treacherous — so all-embracing — that it can capture every other experience of art; it can embrace, but never make its own.