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An Animal (n.) acts ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠from within and so is practical — but has no will, because it cannot set before its mind what it desires.

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An Animal (n.) life ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠seems in general to be sick, its feeling insecure, anxious and unhappy, under the perpetual violence of external contingency.

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An Animal (n.) gives ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠itself its own place: its subjectivity is like light, ideality freed from gravity, a free time that determines where it stands.

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An Animal (n.) reaches ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠its height in feeling the universality of its kind in the sexual couple, but never has that universal as an object — else it would be thought.

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An Animal (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠in-itself universal, but the universal is never there for it — it sees only this food, this man; only man is the universal that is present for the universal.

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Animal (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a self reflected into itself: it moves of its own accord, has a voice that expresses its soul, keeps its own warmth, can break off feeding, and above all feels.

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Animal (n.) are ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the ones most deeply initiated into the Mysteries: despairing of the reality of sensuous things and certain of their nothingness, they pitch in without ceremony and devour them.

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An Animal (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠built around its mouth: nose to sniff out food, eye to spy it, and the whole skeleton down to the hoofs follows from the kind of teeth — a face that wears an expression of spiritual absence.

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