Drama (n.) is the final cause of the activities of men and the world — for the stuff is of absolutely no other use.
Drama (n.) is where a musician goes when he can no longer count to three: he becomes 'dramatic', he becomes 'Wagnerian'.
Drama (n.) as the dramatic sense is the coarsest, fifth sense of art, the one used by anyone who lacks the four more refined senses and seeks to understand everything with it.
Drama (n.) is still a pathos — a Christian pathos of contradiction; Wagner's music is drama and no longer the flute of Dionysus.
Drama (n.) begins in seeing oneself transformed before one's eyes and acting as if one had entered another body — and among the Dionysians this broke out like an epidemic.
Drama (n.) is the Apollonian projection of Dionysian knowledge — dream-like as epic, yet showing not consolation in illusion but the smashing of individuality.
Drama (n.) is not a 'doing' but a 'happening': the word is Doric and meant the sacred story; translating it as 'plot' has been a misfortune for aesthetics.