Music (n.) is always about to become language, which is why opera is so important. There is a similar implicit suggestion about the relation between sound and staging, the staging being secondary but essential.
Music (n.) is, in its most elemental form of human existence, sheer erotic pleasure.
Music (n.) is pure phenomenological immediacy compared with the reflective nature or language, but language is the phenomenological limit of music.
Music (n.) is sheer erotic pleasure. The most elemental form of human existence.