Myth (n.) is much more important and true than history. History is just journalism and you know how reliable that is.
Myth (n.) is other people's religion.
Myth (n.) is far more solid a thing than is fact, for when men have looked for something solid on which to found their lives, they have chosen not the facts in which the world abounds, but the myths of an immemorial imagination.
Myth (n.) is the secret opening through which the inexhaustible energies of the cosmos pour into human manifestation.
Myth (n.) must be kept alive. The people who can keep it alive are the artists of one kind or another.
The Myth (n.) is a story for our search through the ages for truth, for meaning, for significance, for, we need for life to signify, to touch the eternal, to understand the mysterious, to find out who we are.
The Myth (n.) is that wich teaches you that you can turn inward. In that inwardness you begin to get the message of the symbols.
Myth (n.) is a clue to the spiritual potentialities of the human life.
Myth (n.) is so intimately bound to culture, time, and place that unless the symbols, the metaphors, are kept alive by constant recreation through the arts, the life just slips away from them.
A Myth (n.) doesn't have to be real to be true.
The Myth (n.) does not point to a fact; it points beyond facts to something that informs the fact.
The Myth (n.) is a dream of the world. It is an archetypal dream which deals with great human problems and has to find expression in symbolic form.
The Myth (n.) is not invented as stories are. Myths are inspired-they really are. They come from the same realm that dream comes from.
The Myth (n.) is a public dream, just as the dream is a private myth.
The Myth's (n.) images are reflections of Spiritual and Depth potentialities of every one of us. Through contemplating those we evoke those powers in our own lives to operate through ourselves.