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On the Waterfront (n.) was ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a hit because it was anti-union while pretending to stand up for the working man; Salt of the Earth, an honest strike story, was simply killed.