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Painting (n.) is not copying. To paint from nature is not to copy the object but to realize one's sensations.
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Painting (n.) is of enormous importance. The day is coming when a single carrot, freshly observed, will spark off a revolution.
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Painting (n.) is unfolding that which has not been seen.
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Painting (n.) carries the ability within it to astonish Paris with an apple.
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Painting (n.) is not a matter of copying an object slavishly, it is to grasp a harmony among many relationships.
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Painting (n.) is not about painting life, it is about making painting alive.
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Painting (n.) is more about depth than surface, thus requiring the introduction of vibrations into light represented by the reds and yellows and a sufficient amount of blueness to give the feel of air.
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Painting (n.) is founded on the heart controlled by the head.
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Painting (n.) is see nature in terms of the cone, the cylinder, and the sphere.
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Painting (n.) is treating nature by the cylinder, the sphere, the cone such that each side of an object or a plane is directed towards a central point.
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The Painting (n.) is best seen as a claim that right now a moment of time is passing by and we must become that moment.
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The Painting (n.) should give us the same sensation of loose consciousness that one gets upon opening his eyes after holding them shut... namely a great colored undulation and an abyss in which the eye is lost, a secret germination, a colored state of grace.