Style (n.) is a matter of stuttering, of fashioning a foreign language within one's own tongue. As such, the object in writing is to instill movement in words, to engender a 'becoming-other' of language.
Style (n.) is, in philosophy, oriented around three different poles: New ways of thinking (concepts), new ways of seeing (precepts) and new ways of feeling (affects).
Style (n.) is needed to raise lived perceptions to percepts and lived affections to affects.
Style (n.) is the movement of concepts.
Style (n.) is the raising of affections to affects, that is, it is the act of turning mere feelings within man into something that exceeds man to the extent that we might say it exists in the absence of man).