The Work of art's (n.) civilizing effect is due less to the aesthetic value than to the ethic of aesthetic work.
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The Work of art's (n.) very existence demonstrates that the world has meaning. Even when it does not say what that meaning is.
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A Work of art (n.) possesses, properly speaking, not meaning but power. Its presumed meaning is the historical form of its power on the transitory spectator.
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The Work of art (n.) is always speaking to us of God. No matter what it says.
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A Work of art (n.) is, today, anything that sells for a high price.
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