Wrestling (n.) is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of arnolphe or andromaque.
Wrestling (n.) is a real Human Comedy, where the most socially-inspired nuances of passion (conceit, rightfulness, refined cruelty) always felicitously find the clearest sign which can receive them, express them and triumphantly carry them to the confines of the hall.
Wrestling (n.) is a spectacle in which defeat is not an outcome, but quite the contrary, it is a duration, a display, taking up the ancient myths of public Suffering and Humiliation: the cross and the pillory.
Wrestling (n.) is a spectacle in which the wrestler’s function is not to win; it is to go exactly through the motions which are expected of him.
Wrestling (n.) is a spectacle in which the wrestler’s physique constitutes a basic sign, which like a seed contains the whole fight.
Wrestling (n.) is a spectacle in which wrestlers remain gods because they are, for a few moments, the key which opens Nature, the pure gesture which separates Good from Evil, and unveils the form of a justice which is at last intelligible.
Wrestling (n.) is where a wrestler can irritate or disgust, he never disappoints, for he always accomplishes completely, by a progressive solidification of signs, what the public expects of him.
Wrestling (n.) is a spectacle which, above all is meant to portray a purely moral concept: that of justice.
Wrestling (n.) is a sum of spectacles, of which no single one is a function: each moment imposes the total knowledge of a passion which rises erect and alone, without ever extending to the crowning moment of a result.
Wrestling (n.) is about satisfying the public’s desire for the image of passion, not passion itself; the desire for form over content, the desire for the intelligible representation of moral situations.
Wrestling (n.) is above all a quantitative sequence of compensations (an eye for an eye, a tooth for a tooth).
Wrestling (n.) derives its originality from all the excesses which make it a spectacle and not a sport.
Wrestling (n.) is an exhibition of suffering which only makes sense when it appears as inflicted with emphasis.
Wrestling (n.) is endowed with an absolute clarity (excessive caricatures) such that the passionate condemnation of the crowd no longer stems from its judgment, but instead from the very depth of its humors.
Wrestling (n.) is not a sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of Suffering than a performance of the sorrows of Arnolphe or Andromaque
Wrestling (n.) is that whose natural climate is Evil; thus a fair fight is perceived as an exception
Wrestling (n.) is the euphoria of men raised for a while above the constitutive ambiguity of everyday situations and placed before the panoramic view of a univocal Nature, in which signs at last correspond to causes, without obstacle, without evasion, without contradiction.
Wrestling (n.) is the only sport which gives such an externalized image of torture; not out of some wish for suffering, but because it captures the perfection of an iconography and makes it intelligible.
Wrestling (n.) is the spectacle of excess.