Broadway (n.) is the main artery or New York life - the hardened artery.
Broadway (n.) is america's hardened artery.
Broadway (n.) is the longest street with the shortest memory.
Broadway (n.) is a branch of the narcotics world run by actors.
Bunraku | Japanese Puppet Theater) (n.) is not about animating an inanimate object, a simulation of the body, but rather seeks its sensuous abstraction.
Bunraku | Japanese Puppet Theater) (n.) is an art which — in contrast to Western theater in which the author ‘pretends’ to act and thus exemplifies a theater ashamed of itself — separates action from gesture and the art from the labor.
Bunraku | Japanese Puppet Theater) (n.) is an art where a double gesture acts as the counterpoise of voice; emotive gesture on the level of the doll and transitive action on the level of the manipulators.
Bunraku | Japanese Puppet Theater) (n.) is an art that practices three separate writings which it offers to be read simultaneously in three sites of the spectacle: the puppet (the effected gesture), the manipulator (the effected gesture), the vociferant (the vocal gesture).
A Dinner theater (n.) sells tickets to birthday parties that would never buy tickets to a play.
A Dinner theater (n.) has actors who clear your plates between the murder and the dessert.
A Dinner theater (n.) is applauded by people holding forks, which is the safest review a performer will ever get
Dinner theater (n.) is a way of positively guaranteeing that both food and theater will be amateur and mediocre, which means unthreatening and therefore desirable.
Fourth wall (n.) is the imaginary wall between actors on stage and the audience, which performers pretend not to see through.
The Fourth wall (n.) is like a one-way mirror that everyone on both sides knows about.
The Fourth wall (n.) gets broken by one wink, and the whole theatre feels caught.
The Fourth wall (n.) is held up by the audience, not by the performers.