20 definitions
Cultural pragmatics (n.) draws on various elements of theater-like social performance (i.e. The systems of collective representation, means of symbolic production, mise-en-scène arrangements).
Cultural sociology (n.) is (in contrast to sociology of culture approach treats culture as a dependent variable), interested in cultural as an an 'independent variable' that possesses a relative autonomy in shaping actions and institutions, providing inputs every bit as vital as more material or instrumental forces.
Cultural sociology (n.) is a kind of social psychoanalysis. Its goal is to bring the social unconscious up for view. To reveal to men and women the myths that think them so that they can make new myths in turn.
Cultural sociology (n.) is concerned with collective emotions as central to its method, as subjective feelings so often seem to rule the world.
Cultural sociology (n.) is grounded in a sharp uncoupling of culture from social structure. The autonomy of culture is grounded in semiotic.
Cultural sociology (n.) is grounded in the idea of bringing the unconscious cultural structures that regulate society into the light of the mind.
Cultural sociology (n.) is grounded in the idea that culture is not just a text but a text underpinned by signs and symbols in patterned relations.
Cultural sociology (n.) is grounded in the thought that all action is embedded in a horizon of affect and meaning.
Cultural theory (n.) is marked by a shift in the object of analysis from the tribe to the text. As a result of this, our work begins to look more and more like critical narcissism and less and less like the explanatory discipline that Dilthey so vividly imagined.
Cultural trauma (n.) is a kind of trauma which, for whatever reason, registers in the collective.
A Cultural trauma (n.) is like a personal trauma, is not immediately registered as a universal trauma. Even the holocaust and watergate had to be constructed as such through a long process of narration and signification.
Culture (n.) is a text underpinned by signs and symbols in patterned relations.
Icon consciousness (n.) is when value is transmitted as the result of contact of the senses (sight, smell, taste, touch) with an aesthetic thing.
A Social performance (n.) is the social process by which actors, individually or in concert, display for others the meaning of their social situation.
The Strong program (n.) is the idea that scientific ideas are cultural and linguistic conventions -sense making.
Success (n.) is, in a performative action, the ability to communicate meanings, which is to say, as it were, to be reading from the same page.
Trauma (n.) is a situation where a fundamental injury is perceived to have broached some sacred value, thus threatening the social order and demanding that emotional, institutional, and symbolic reparation and reconstitution be made.
Trauma (n.) is not, as is often supposed, something which arises out of the event, perceived clearly, or responded to with rationality.
Trauma (n.) is resolved only by setting things right in the self and setting things right in the world.
Trauma (n.) is socially mediated and not resting within the event itself.