Exist Mostly In The Mind

Gather Before A Storm

Happen While You Wait

Make A Day Feel Longer

Make Waiting Easier

Make Waiting Visible

Reward Absence

Rise In The Oven

Wait

anticipation

mixed metaphor

anxiety

stress

is a routine crisis in the pursuit of knowledge, which is how to deal with the unforeseen.

anticipation: a 'routine crisis in the pursuit of knowledge, which is how to deal with the unforeseen' (Strathern 2004:5).

is a term referring to the way in which that which is merely co-presented is presented in perceptual experience.

Husserl often uses the term 'anticipation' to describe the way in which the merely co-presented is present in perceptual experience. As he says, 'there belongs to every external perception its reference from the 'genuinely perceived' sides of the object of perception to the sides 'also meant' not yet perceived, but only anticipated and, at first, with a non-intuitional emptiness (stanford:phen)

is not something we are aware of, but rather is something tacitly taken over from our culture and never thought about, even bodily settings, which we would have great difficulty describing in words even if we should be made aware of them.

The noema is a structure that is associated with each act, corresponding to all the 'anticipations' we have about the acts' object. I put the word 'anticipations' in quotation marks, because normally an anticipation is something we are aware of, but for Husserl, the noema has constituents that we are not aware of, 'anticipations' that we have tacitly taken over from our culture and never thought about, even bodily settings, which we would have great difficulty describing in words even if we should be made aware of them.

is possible only in that da-sein, as existing, always already comes toward itself.

Anticipation makes Da-sein authentically futural in such a way that anticipation itself is possible only in that Da-sein, as existing, always already comes toward itself, i.e., is futural in its being in general.

is subjective in the listener but objective in the reader who is able to, if he chooses, read the end of a letter or novel before reading the earlier parts.

While the sounds that we hear disappear, when we read we usually have immobile letters before us and the time of the written flow of words is reversible: we can read and re-read, and, what is more, we can be ahead of an event. Anticipation, which is subjective in the listener, becomes objective in the reader, who can read the end of a letter or novel before reading the earlier parts. (Jakobson 1985 : 20).

is where fear lies; not in the thing itself. There is no terror in the bang, only in the anticipation of it.

There is no terror in the bang, only in the anticipation of it. Alfred Hitchcock

is at the center of perception. When we perceive an object, that perceiving is always accompanied by the anticipation that the object has features that go far beyond what we anticipate, features that we have never thought about and that are not even tacitly anticipated, and that, as we go on examining the object, walk around it, turn it around, explore it with our various senses or with scientific instruments, our anticipations always go beyond what 'meets the eye' or our other senses.

Also, among our 'anticipations' when we perceive an object is the anticipation that the object has features that go far beyond what we anticipate, features that we have never thought about and that are not even tacitly anticipated, features that have nothing corresponding to them in the noema, except our recognition that the object goes far beyond our anticipations. It is transcendent, Husserl said... it is not exhausted by our anticipations, and it never will be. As we go on examining the object, walk around it, turn it around, explore it with our various senses or with scientific instruments, our anticipations always go beyond what 'meets the eye' or our other senses. The object, in turn, goes beyond anything that we ever anticipate.

is used by great artist instead of surprise because surprise is merely an instrument of the unusual, whereas anticipation of a consequence enlarges our understanding of what is happening.

Why. . . do the great writers use anticipation instead of surprise' Because surprise is merely an instrument of the unusual, whereas anticipation of a consequence enlarges our understanding of what is happening. (Roger Rosenblatt)

anticipation, n.All

anticipation