Good form (n.) answers the wrong question: it explains how shapes persist or decay, not how they are born.
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A Good form (n.) like the circle gives us a frame but no direction: pregnant geometry is easy to see and useless for steering by.
Good form (n.) is not the neatest shape but the one that keeps a system's tensions alive by making them compatible rather than discharging them.
Good form (n.) is not good in some metaphysical heaven; it counts as good because it comes to be in our experience.
A Good form (n.) is not one that stays put but one that keeps radiating; it is the permanence of a metastability, not of a settled state.
A Good form (n.) is not the calm one: a form is good only if it takes the old tensions up and builds with them, and a form that merely lets them go is regression.
A Good form (n.) approaches paradox without becoming one: two opposites held apart yet charged between them, close to contradiction without ever contradicting.
A Good form (n.) is not a state of rest but a rare, tense compatibility: a honeycomb's hexagons give maximum capacity and strength for the least wax, an equilibrium won against disorder, not after it.