The Personal unconscious (n.) holds the conclusions we failed to draw, the affects we did not permit, and the criticisms we spared ourselves.
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The Personal unconscious (n.) must always be made conscious first; otherwise the gateway to the collective unconscious cannot be opened.
The Personal unconscious (n.) is the dark corner holding all one would like to forget and will not admit — only the man who goes through it can hope to progress.
The Personal unconscious (n.) feeds art muddy tributaries, and where they predominate the work becomes not a symbol but a symptom.
The Personal unconscious (n.) is the more superficial layer of personally acquired contents, set against the deeper collective stratum whose archetypes are the matrix of all mythological statements.
The Personal unconscious (n.) is the upper layer of the unconscious, holding forgotten and repressed things and anticipations; neurosis is a conflict with it, while psychosis reaches into the collective layer beneath.
The Personal unconscious (n.) is relative: country people are aware of things city analysands must dig for months to find, and a man could shrink it nearly to zero.
The Personal unconscious (n.) holds lost memories, things forgotten on purpose, perceptions too faint for consciousness, and contents not yet ripe for it — the shadow of our dreams.