The Quaternity (n.) against the pentad is culture against nature — four the conscious, "spiritual" totality, five the natural man with his trunk and five appendages.
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The Quaternity (n.) is an organizing schema par excellence, like the crossed threads of a telescope — the instinctive way to order a chaotic multiplicity.
The Quaternity (n.) always refers to the self — as in the egg-hieroglyph with points to the four winds: the uttermost circumference and the innermost centre at once.
The Quaternity (n.) is the minimum of any whole judgment: to describe the horizon you name four quarters; three is an artificial order, four a natural one.
The Quaternity (n.) is the unconscious's correction of the Trinity: it adds the fourth — the feminine, the earth, the devil — that dogma left out.
The Quaternity (n.) is what reality needs: one pair of opposites makes only a flat triad, a thought on paper; two pairs make a solid world.
The Quaternity (n.) has a fourth that is special and ambivalent — a daimonion, like the fourth man in the fiery furnace whose form was like a son of God.
A Quaternity (n.) is a real symbol of totality, as when Mary's assumption adds a fourth, feminine principle to the Trinity, whose totality is only postulated since the devil stands outside it.