scape

is a global cultural flow that carries with it the force of an institution.

Global cultural flows that carry with them the force of institutions' (clarke 2005:34).

is deeply perspectival and allows us to point to the fluid, irregular shapes of these landscapes, shapes that characterize international capital as deeply as they do international clothing styles.

scape 'allows us to point to the fluid, irregular shapes of these landscapes, shapes that characterize international capital as deeply as they do international clothing styles. . . .'not objectively given relations that look the same from every angle of vision but rather, that they are deeply perspectival constructs' (Appaudurai 1996:33)

is non-isomorphic. One scape can move while others stay still.

. . . and that thse flows are 'non-isomorphic' (i.e., flows of one do not necessarily entail flows of others, as for example in the way Japan accepts foreign ideas more readily than foreigners themselves' (Condry 2006:18). . . .'appadurai (1996:37) uses Japn as a way of contrasting 'ideoscapes' with 'ethnoscapes' to show how flows along one dimension (ideas) are not necessarily matched by flows along another (people): 'the Japanese are notoriously hospitable to ideas and are stereotyped as inclined to export (all) and import (some) goods, but they are also notoriously closed to immigration' (Appadurai 1996:37 in Condry 2006:52).

 does not just flow from more powerful to less powerful.

these flows do not run simply from more powerful to less powerful regions, (Condry 2006:18). . .

is typically either an ethnoscape, mediascape, ideoscape, financescape, or a technoscape.

1. ethnoscapes 2. mediascapes 3. ideoscapes 4. financescapes 5. technoscapes (religionscapes, sportscapes, foodscapes, hip-hopscapes)

scape, n.All

scape