Symbolic art (n.) distorted its forms into giants, monsters and beasts half-bird, half-animal, above all in Egypt, groping toward an absolute too boundless to be given sensuous shape.
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Symbolic art (n.) has an Idea still too vague to know itself, so it corrupts and falsifies the shapes it borrows from nature — meaning and shape show their affinity and their foreignness at once.
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Symbolic art (n.) in architecture is a language present for its own sake, even if wordless — a building that exists only to stimulate thought.
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Symbolic art (n.) is always more or less limitless: a self-consciousness not yet complete pushes on, seeks, divines and produces without repose — only a spirit that has found its adequate shape can stop.