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The Time-image (n.) turns cinema's order upside down: time no longer derives from movement — the anomalies of movement now depend on time.
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The Time-image (n.) turns cinema's order upside down: time no longer derives from movement — the anomalies of movement now depend on time.
The Time-image (n.) arrived in cinema after the war: time stopped being shown indirectly, through montage, and began to appear on screen directly.