dwelling perspective

is a perspective on man that collapses the distinction between culture and biology as artificial.

The gist of His argument is quite simple-it collapses the distinction between culture and biology is one that is artificially constructed and therefore one that diminishes the complexity of you who we are and how we operate in the world. Outlining a theory of embodiment not much different from the neurophenomenological perspective of Evan Thompson, Ingold defines a relationship with the world not as mind acting within a body and mediated by cultural influences, but as organism-in-it-environment ever developing through its movements. You have passive subtests assess your available or bicultural forces, but 'organism-person' one with certain skills within the system of social relations. His skills are not transmitted relationship generation is cultural training, but 'Re: grown in each, incorporated into the palace modus operandi of the developing human organism through training and experience in the performance of tasks.' (5). To perceive an object is already to understand what it affords, and the 'new things' of our culture are but a 'fine tuning' of the ecological perceptual system through continuous, creative acts of discovery. Ingold calls this model a 'dwelling perspective.' It is one that challenges the idea of a cultural field distinct from the surroundings, and one that delimits the notion of gene/culture coevolution.'

is a perspective that challenges the idea of a cultural field distinct from the surroundings, and a perspective that delimits the notion of gene/culture coevolution.

dwelling perspective, n.Definitions

dwelling perspective