exhibition value

is, (as contrasted with cult value) purely to be seen.

Think of Walter Benjamin in 'Art in the Age of Mechanical reproduction' where he talks of cult value and exhibition value as two major poles on which art receives its value. He describes cult value as being not for visibility but having ritualistic purposes, (e.g. medieval churches with statues that people could not see from ground level), and exhibition value as purely to be seen. He notes the difference between the painting and the fresco. The painting is portable, the fresco is bound in its place. . . .

and exhibition value as purely to be seen. He notes the difference between the painting and the fresco. The painting is portable, the fresco is bound in its place. . . .

exhibition value, n.Definitions

exhibition value