A Face (n.) never deceives; it is we who deceive ourselves by reading into it what is not there.
The Face (n.) is an expression and revelation of the whole character, as evidenced by the fact that people are always anxious to see anyone who has made himself famous.
A Face (n.) that looks clever is the more surely clever the uglier it is, and one that looks stupid is the more surely stupid the more beautiful it is.
A Face (n.) states what a man is; his words state only what he thinks — more often what he has learnt, or merely what he pretends to think.
A Face (n.) of genius shows knowledge visibly outweighing will — a glance keen and steady; ordinary faces show the will, with knowledge set to work only by its motives.
A Face (n.) is a hieroglyph whose whole alphabet we carry with us — the compendium of all a man will ever say; his tongue speaks one man's thoughts, his face a thought of nature.
A Face (n.) is carved by thought: every petty, jealous, spiteful desire leaves its impress for as long as it lasts, until the marks become furrows — while the faces of thinkers reach their sublime expression only in old age.