Become More Interesting The Closer You Get

Become More Interesting The Longer You Look

Become More Interesting With Age

Blush

Conceal The Flaw

Feel Lent Too Long

Feel Like Déjà Vu

Feel Overfamiliar

Feel Too New For The Room

Feel Uncanny

Flush

Flush Hot

Forget Their Own Name

Glance Away First

Go Red And Quiet

Heal Crooked

Improve By Being Slightly Broken

Invite Inspection

Need No Introduction

Never Use The Same Voice Twice

Reward Inspection

Reward Observation

Ring A Bell

Rise Without Heat

Stick In Your Mind

face

tongue

trivia

muscles

pick-up line

Cockney Rhyming Slang

recognition

body part

Things That Look Like Other Things

is an expression and revelation of the whole character, as evidenced by the fact that people are always anxious to see anyone who has made himself famous.

That the outer man is a picture of the inner, and the face an expression and revelation of the whole character, is a presumption likely enough in itself, and therefore a safe one to go on... borne out as it is by the fact that people are always anxious to see anyone who has made himself famous. Photography offers the most complete satisfaction of our curiosity. Arthur Schopenhauer.

is not a secondary billboard for our internal feelings. It is an equal partner in the process.

The face is not a secondary billboard for our internal feelings. It is an equal partner in the process.

is a man's autobiography. A woman's face is her work of fiction.

A man's face is his autobiography. A woman's face is her work of fiction. Oscar Wilde

's beauty is not a separate quality but a relation or proportion of qualities to each other.

The beauty of a face is not a separate quality but a relation or proportion of qualities to each other. George H. Mead

is the image of the self portrayed. It is the self as presented publicly, though not necessarily intentionally.

Face. This is the image of the self that is presented. Goffman here connects it to approved social attributes, although later he notes how it may not always be the approved or expected attributes that are portrayed. Face is what others assume and it is the image that others see or consider to have been expressed by the actor. Note 'effectively' (2nd line of last paragraph, p. 5) so that it is what is portrayed, not necessarily what was intended, that is, it is the image of self portrayed.'

, after a certain number of years, become our biographies. We get to be responsible for our faces.

After a certain number of years, our faces become our biographies. We get to be responsible for our faces.

is a carving abandoned as altogether too unpromising for completion.

face, n.All

face