A Myth (n.) is fated to creep into the crevice of an assumed historical reality and be analyzed as a unique fact.
A Myth (n.) cannot be transplanted from abroad without irreparably damaging the tree.
A Myth (n.) is a fearful Memnon's Column which the poet touches like a ray of sunlight, so that it suddenly begins to make music.
A Myth (n.) makes the waking life of a people resemble a dream — every tree may speak as a nymph, all nature a masquerade of amused gods.
A Myth (n.) in tragedy rose once more like a wounded hero, the excess power and wise tranquillity of a dying man burning in its eyes.
A Myth (n.) is the horizon that completes a culture: its images are the unseen sentries under whose care the young soul matures — without myth a culture forfeits its creative power.
Myth (n.) cannot be manufactured because people need one: gods cannot be created, only experienced, and deliberate myth-making turns life into play-acting.
A Myth (n.) lost leaves a hunger — modern man stands eternally hungry among all past ages, digging for roots in the remotest antiquity; his historical hunger reveals the loss of the mythic homeland.
A Myth (n.) protects us from the music while giving the music its highest freedom; in return music gives myth a metaphysical significance words and pictures never could.
A Myth (n.) has been debased into the fairy tale, plaything of women and children, stripped of its serious manly nature; music meanwhile survived among the poor and solitary, itself become an enchanted fairy tale in need of redemption.
A Myth (n.) among the Athenian Anaxagoreans was permitted only as symbolic language: all the myths, gods and heroes taken as hieroglyphics of nature-interpretation.
A Myth (n.) is not founded on a thought, as the children of an artificial culture believe; it is itself a mode of thinking, communicating an idea of the world as a succession of events, actions and sufferings.