Progress (n.) is, in the 19th century, a kind of religion.
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Progress (n.) carries along with it an immanent critique of the concept of progress.
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Progress (n.) is the 'always-the-same' of the 'new', the fetishization of modern temporality, which is an endless repetition of the 'new' as the 'always-the-same.' The rebus in which this temporality appears is fashion.
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Progress (n.) is the cultural forms that do not repeat the old, but rather redeem it.
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Progress (n.) must be grounded in the idea of catastrophe. That things are 'status quo' is the catastrophe.
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