The Severing is a foundational, traumatic fissure between reality (the human-correlated world) and the real (ecological symbiosis of human and nonhuman parts of the biosphere).
The Severing is wrapped up in the not in that play is merely a way to adjust to reality, so that eventually we can chuck away the teddy bear like Wittgenstein’s ladder.
The Severing is the stark line we draw between humans and non-human consciousness. Already by the age of ten, we have already decided that literature should not be about talking toasters or friendly frogs.
The Severing is a catastrophic trauma that does not take place “at” a certain “point” in linear time, but a wave that ripples out in many dimensions, in whose wake we are caught.
The Severing is a traumatic distinction between human–nonhuman relations that hides in very plain sight everywhere in post-agricultural psychic, social and philosophical space.