Truth (n.) is a register that is distinct from exactitude, situated at the very foundation of intersubjectivity.
The Truth (n.) is always new, and if it is to be true, it has to be new. As such, what truth says is not said in quite the same way when everyday discourse repeats it.
Truth (n.) is always truth about desire.
Truth (n.) is emergent in language. It is, along with false, nothing prior to speech. Truth hollows its way into the real thanks to the dimension of speech.
Truth (n.) is grounded in a fictive arrangement that sometimes reveals itself.
Truth (n.) is not beautiful and it is not necessarily beneficial to learn the truth.
Truth (n.) is not something that awaits in some preformed state of fullness, to be revealed to the analysand by the analyst... on the contrary, it is gradually constructed in the dialectical movement of the treatment itself.
Truth (n.) is not the opposite of deception, rather it is inscribed in the attempted deceptions of the analysand's speech. It is the analyst's role is to reveal the truth, to understand that 'in trying to deceive me you are telling the truth'.
Truth (n.) is not universal but particular to each subject 'my truth' 'your truth'. ..
Truth (n.) is that whereby, it is in the hiding that it offers itself to lovers most truly.
Truth (n.) is capable, via art, of revealing its own fictive arrangement.
Truth (n.) offers herself to her lovers most truly in hiding.