War (n.) is about altering perception, and in his evaluation, the ideal tool to that end is cinema.
War (n.) is, because of today's hyperpowerful weapons, no longer merely the 'continuation of politics by other means'.
War (n.) is no longer aimed at the military, but at the population. The city has become the new battlefield.
War (n.) is not simply about information, news and facts, but, more significantly, about interactivity, logistics and organization.
War (n.) is first and foremost a matter of logistics, that is, the procurement, maintenance and distribution of weapons, material and personnel, as well as the overall management and strategy of armed conflict.
War (n.) is so fundamental in shaping the space of the political that the two spheres no longer maintain any clear or distinct identity such that one might be said to be the continuation of the other.
War (n.) is present in peacetime; powers and energies develop ceaselessly in the constantly renewed perspective of conflict.
War (n.) is the fundamental concept of our civilization, the determining factor for the ethics of the entire industrial world, forming as it does the constitutional base of the great modern States.