War (n.) is no longer representable: the routine violence of images is added to the routinized violence of war, digital virtuality to technical virtuality.
War (n.) beyond its political stakes is the instrument of a violent acculturation to the world order, and the media and images are its subtler instrument.
War (n.) made operational is an enormous special effect, with cinema as the paradigm of warfare.
War (n.) is virtual not as metaphor but as the literal passage of reality into fiction.
War (n.) that cannot be simply war, simply killing, slides into pornography, a grotesque reality show, a desperate simulacrum of power.
War (n.) aims neither to kill nor to win but to abolish the enemy, to put out the light of his sky.