Answer A Question No One Asked

Answer Before You Ask

Break In Customer Service

Carry A Message

Cool Too Fast

Crack

Crack In The Cold

Crack Under Pressure

Creak

Cry Without Warning

Echo In An Empty House

Euphemize

Expand In An Empty One

Fade

Fall Flat

Feel Distant Too Soon

Feel Dull

Feel Like Bad Decisions

Feel Like Yesterday

Feel Overexplained

Feel Overexposed

Feel Overfamiliar

Feel Paper Thin

Feel Soft

Feel Sparse

Feel Uncanny

Feel Underheard

Feel Underripe

Feel Unfinished

Find Meaning That Isn't There

Get In Your Head

Go Quiet When You Need An Answer

Haunt You

Hit Close To Home

Hold The Shape Of The Last Person

Know The Room Already

Lose Their Shape

Make Presence Visible

Mirror Too Close

Move And Stay Put

Move Without Leaving

Never Repeat Exactly

Play On Repeat

Read Too Much Into It

Remember You Wrong

Repeat With Variations

Ring In Your Ears After

Ring Like Ash

Ring Like Chlorine

Ring Like Copper

Ring Like Dust

Ring Like Echo

Ring Like Glass

Ring Like Glue

Ring Like Iron

Ring Like Lint

Ring Like Metal

Ring Like Midnight

Ring Like Mildew

Ring Like Milk

Ring Like Morning

Ring Like Paper

Ring Like Rain

Ring Like Rope

Ring Like Rust

Ring Like Salt

Ring Like Silence

Ring Like Smoke

Ring Like Static

Ring Like Stone

Ring Like Sugar

Ring Like Summer

Ring Like Vinegar

Ring Like Water

Ring Like Wine

Ring Like Winter

Ring Like Wire

Ring Like Wood

Ring On A Landline

Ring True

Run Deep

Sand Smooth

Shout In A Whisper

Sign Without Speaking

Silence The Music

Slip Away

Sound Like An Instrument

Sound Like Ash

Sound Like Chlorine

Sound Like Copper

Sound Like Dust

Sound Like Echo

Sound Like Glass

Sound Like Glue

Sound Like Iron

Sound Like Lint

Sound Like Metal

Sound Like Midnight

Sound Like Mildew

Sound Like Milk

voice

sound

whale

blue whale

trivia

lizard

Gecko

giraffe

Cockney Rhyming Slang

one-liner

nonsense question

recording

dinosaur

is not just the voice we hear that haunts us, but the voice that goes on echoing in our minds, forming our habits of speech, our processes of thought.

not just the voice we hear that haunts us, but the voice that goes on echoing in our minds, forming our habits of speech, our processes of thought.

is such that the norm requires some 'personal touch' such that the voice without side-effects ceases to be a 'normal' voice.

This fingerprint quality of the voice is somethign that does not contribute to meaning, nor can it be linguistically described, for its features are as a rule not linguistically relevant, they are theslight fluctuations and variations which do not violate the norm-- rather, the norm itself cannot be implemented without some 'personal touch,' the slight trespassing which is the mark of individuality' . . . .the mechanical voice reproduces the pure norm without any side effects... therefore it seems that it actually subverts the norm by giving it raw. The voice without side-effects ceases to be a 'normal' voice, it is deprived of the human touch that the voice adds to the arid machinery of the signifier, threatening that humanity itself will merge with the mechanical iterability, and thus loose its footing (dolar 2006 : 22 )

is that by which the norm itself cannot be implemented without some 'personal touch' : The slight trespassing which is the mark of individuality: The voice without side-effects ceases to be a 'normal' voice.

is that which on all such occasions the accent and tempo of the voice are more important than the intelligible meaning of what was said . . . And they are addressed to our lives more than to our minds.

On all such occasions the accent and tempo of the voice are more important than the intelligible meaning of what is said, and they are addressed to our lives much more than to our minds. (valery 'i sometimes said to stephane mallarme' : 101)

is the the oldest, truest, most beautiful organ of music, the origin to which alone our music owes its being.

The oldest, truest, most beautiful organ of music, the origin to which alone our music owes its being, is the human voice. Richard Wagner

is the variable ability (based on power and personal standing) to be heard when communicating.

A closely related concept is that of voice, or variable ability to be heard when communicating, based on the speaker's relationship to the audience, including the actor's power or lack thereof.

is the most beautiful instrument of all, but the most difficult to play.

The human voice is the most beautiful instrument of all, but the most difficult to play.

voice, n.One-Liners

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