Inversion (n.) is defined not by actual behaviour but by emotional attitude, Freud holds.
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Inversion (n.) is not chaos: at carnival or on hazing day the same rules hold, only with every role turned upside down.
Inversion (n.) is how an attack disguises its phantasy, turning each movement into its bodily opposite, as a dream turns elements into their contraries.
Inversion (n.) is built into production itself: labour's powers appear as capital's, subject turned into object, and this breeds a matching transposed consciousness.
Inversion (n.) is everywhere in dream-work: the child entering the water is the child leaving it; 'her husband left her' means she left her husband.
Inversion (n.) is the reversing of letters in magical rites, as in Paracelsus' witch-words, whose devilish aim is to turn God's order upside down into hellish disorder.
Inversion (n.) is a jest for idle, homeless thought, like walking on one's head, and the seriousness of eternity when it has to turn a suffering man round.