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The Irreal (n.) names Pierre's absenteeism perceived directly, a nuance that colours him entirely.
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The Irreal (n.) names Pierre's absenteeism perceived directly, a nuance that colours him entirely.
The Irreal (n.) cannot be seen, touched, smelled, except irreally — and it can act only on an irreal object.
The Irreal (n.) is always a double nothingness: nothingness of itself in relation to the world, nothingness of the world in relation to it.
The Irreal (n.) always receives and never gives — yet hunger, passing through the image of a roast chicken, starts to salivate: desire is concentrated, made precise, intensified.