Alienation (n.) has gone so far that mankind can savour its own destruction as an aesthetic pleasure of the first order.
Alienation (n.) peaked in the age that invented film and the phonograph — and tests showed a man cannot recognize his own walk on the screen or his own voice on a record.
Alienation (n.) hollows things out: once their use value has spoiled, they draw meanings into themselves like ciphers — and the nineteenth century multiplied such husks as never before.
Alienation (n.) found its first and most unflinching surveyor in Baudelaire, who both acknowledged the self-estranged human being and armoured it against the reified world.
Alienation (n.) has gone so far that mankind, once a spectacle for Homer's gods, is now a spectacle for itself — able to enjoy its own destruction as an aesthetic pleasure of the first order.