The Plot (n.) is the imitation of the action — by which is meant simply the arrangement of the incidents.
The Plot (n.) is the soul of a tragedy — the most beautiful colors laid on confusedly please less than a chalk outline.
The Plot (n.) is the last thing a novice masters: beginners achieve polished diction and exact portraits long before they can build a story.
The Plot (n.) must have a length the memory can embrace, as a beautiful body must have a size the eye can take in at one view.
A Plot (n.) that is episodic is the worst: acts following one another without probable or necessary sequence — bad poets write it by fault, good ones to please the actors.
The Plot (n.) makes all the difference whether an event happens because of what came before or merely after it — propter hoc or post hoc.
The Plot (n.) should be built so that someone who merely hears the tale told, without seeing anything, will thrill with horror and melt to pity.
The Plot (n.) often shows many poets tying the knot well and unravelling it badly.
The Plot (n.) cannot be saved by the plea that it would otherwise have been ruined — such a plot should never have been constructed.