Definitions HQ

Haiku (n.) reproduces ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the designating gesture of the child pointing at whatever it is, merely saying: that.

The Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a counter-descriptive art. It never describes. Rather, each state of the thing is immediately, stubbornly, victoriously converted into a fragile essence of appearance.

The Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a flash of meaning that reveals nothing. it is the flash of a photograph one takes very carefully, but having neglected to load the camera with film.

The Haiku (n.) seems ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠to give the West certain rights which its own literature denies it: triviality, brevity, ordinariness.

Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a genre in which the two basic function so four classical writing disappears: on the one hand description, and on the other definition.

The Haiku (n.) neither ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠describes nor defines, it simply points, like a child. It simply says “that” or “it is so” or “it’s so”, or better yet, “so!”

The Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a kind of faint gush inscribed upon time, establishing what we have been able to call “the vision without commentary”.

The Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a thing possessed of the purity, the sphericality, and the very emptiness of a note of music.

Haiku (n.) wakens ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠desire.

Haiku (n.) , ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠while being quite in­telligible, means nothing. Thanks to this double condition it seems open to meaning in a particularly available, serviceable way - the way of a polite host who lets you make yourself at home with all your preferences, your values, your symbols intact.

Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not a question of being concise, but on the contrary, of acting on th every root of meaning so that this meaning will not melt, run, internalize, become implicit, disconnect, divagate into the infinity of metaphors, into the spheres of the symbol

The Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not at all an exact depiction of reality, but a suppression of margins, smudges, and inter­stices which usually exceed or perforate the semantic relation.

Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not formal; the haiku is not a rich thought reduced to a brief form, but a brief event which immediately finds its proper form.

Haiku (n.) has ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠this rather fanasmagorical property; that we always suppose we ourselves can write such things easily.

The Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠tasked to achieve exemption from meaning within a perfectly readerly discourse so that to our eyes it is neither eccentric nor familiar: it resembles nothing at all.

Haiku (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the literary branch of Zen