Myth (n.) is, firstly, mythos or narrative, words arranged in a sequential order.
The Myth (n.) is a barbarous word, but no more so than other words beginning with 'de.'.
A Myth (n.) is a conventionalized or stylized narrative not fully adapted to plausibility or 'realism.'.
A Myth (n.) is a metaphorical vision of the cosmos.
Myth (n.) is a self-'contained literary world whereby the things that happen in myth happen only in stories.
Myth (n.) is able to hold two periods of history together, the author's and ours, in direct communication.
Myth (n.) is also the language of poetry. As Aristotle said long ago, history tells us what happened... poetry tells us what happens.
Myth (n.) is counter-'historical, metaphor counter-'logical.
A Myth (n.) is inside its structure, not outside.
The Myth (n.) is neither true nor not true.
Myth (n.) is of primary importance to their society.
The Myth (n.) is often best grasped not by tracing it back to some hypothetical original, but by following its successive treatments by various writers.
Myth (n.) is precisely about what overturns history: it's the opposite of history, the dream spiral working against the waking one.
A Myth (n.) is relation to society and God, about the ultimate origin and ultimate fate.
The Myth (n.) is set over against him, and which he has to come to terms with at the moment of reading.
The Myth (n.) is a single unit of a larger mythology. Different myths stick together to form a mythology. Folk tales, by contrast, simply interchange themes and motifs so stereotyped that they can be counted and indexed.
Myth (n.) arrests time, just as metaphor arrests space.
Myth (n.) redeems history: it assigns it to its real place in the human panorama.
The Myth (n.) is the ideology presented as imaginative possibility.