Poetry (n.) is a disinterested use of words: it does not address a reader directly.
Poetry (n.) is a much less natural way of speaking than poetry is.
Poetry (n.) is always primitive, both historically and psychologically and does not improve when social conditions do.
Poetry (n.) is concerned with the ambiguities, the unconscious diagrams, the metaphors and the images out of which actual ideas grow.
Poetry (n.) is not to tell you what happened, but what happens: not what did take place, but the kind of thing that always does take place.
Poetry (n.) is of no use to anybody, as every genuine work of the imagination comes out of the most primitive depths of human concern.
Poetry (n.) is possible only for that small minority which believes in leisure.
Poetry (n.) is the heart of all mythology. It helps us to see reality in terms of human desires and emotions.
Poetry (n.) develops out of ritual, just as prose out of myth.
Poetry (n.) does not state historical truth, it contains it: it sets forth the myth of history, the kind of thing that happens.
Poetry (n.) is tasked with keeping alive the metaphoric habit of mind and to make sure that its significance remains obvious to all receptive people.
Poetry (n.) is to recreate the hieroglyphic or mythical form of knowledge in each generation, and the function of metaphysics to recreate the hieratic form in our generation.