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109 definitions

Henri Bergson

Henri Bergson

1859 – 1941

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The Absolute (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not separate from the world of experience. It runs through it.

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An Affect (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the potential for memory that supports the body in its unconsciously remembered activities.

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Analysis (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the dividing of things according to perspectives taken.

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Certitude (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠only achievable in immanence. The ultimate content of this certitude is incommunicable.

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A Concept (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠that part of human knowledge representing 'cinematographic thinking' meaning, like a film reel, a concept is a little snapshot of events, a partial image which, once strung together in succession, make things gradually emerge as intelligible.

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A Definition (n.) fails ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠to get to a thing insofar as it imprisons and denies a thing or concept the respect due to life, which allows a thing to grow, expand through imperceptible metamorphosis. It practical, intimate acquaintance, such as springs from a long companionship.

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A Duration (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the actualization of 'qualitative' rather than a 'quantitative' multiplicity.

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The Ego (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a substratum with no reality... it is merely a symbol intended to unceasingly recall to our consciousness the artificial character of the process by which the attention places clean-cut states side by side, where actually there is a continuity which unfolds.

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The Elan vital (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠always a case of a virtuality in the process of being actualized, a simplicity in the process of differentiating, a totality in the process of dividing proceeding 'by dissociation and division,' by 'dichotomy,' is the essence of life.

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Evolution (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a persistence of the past in the present, a duration which is, as it were, a hyphen, a connecting link.

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Evolution (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠creative precisely because it is characterized by an unending conflict between the cessation of the flow of becoming-in the creation of forms such as organisms and species-and the tendency of the flow of becoming to break out of any fixed or stable determination.

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Evolution (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not accidental but creative precisely because it proceeds via indetermination.