100 definitions
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Leo Tolstoy: top 100 quotes
100 definitions on 39 concepts
Death (n.) destroys the body much as the scaffolding is destroyed after the building is up and finished. And he whose building is up rejoices at the destruction of the scaffolding and of the body.
Death (n.) is more certain than night following day or winter following summer, and yet while we prepare for these things, we do not prepare for death. The only way to prepare for death is to live well.
Death (n.) has no meaning for the civilized person. It has none because the civilized man, placed into an infinite 'progress' should never come to an end. For there is always a further step ahead of one who stands in the march of progress.
William Shakespeare (n.) is crude, immoral, vulgar and senseless.
Self-control (n.) is that without which there has never been, and cannot be, a good life; for the attainment of goodness must begin with it.
Romanticism (n.) is the fear of looking truth in the eyes.
Love (n.) is God, and to die means that oneself, as a particle of love, shall return to the general and eternal source.
Love (n.) is life... everything one understands one understands only because one loves. Everything is, everything exist, only because one loves.
Love (n.) can only be known to one who makes a mistake and then corrects it.
Love (n.) is necessarily in all human interaction. One can no more approach people without love than one can approach bees without care. Such is the quality of bees.
Love (n.) is a capacity only of one who can also suffer great sorrow, but this same necessity serves to counteract their grief and heals them.
Love's (n.) laws cannot be discovered by reason, because it is unreasonable.
Love (n.) is to love the person as they are, and not as one would like them to be.
Love (n.) is of infinite varieties. Just as there are as many minds as there are heads, so too are there as many kinds of love as there are hearts.
Love (n.) is to not only be close to another, but to cease to know where you end and the other begins.
Life (n.) is a matter of penetrating the unknown, and fashioning our actions in accord with the new knowledge thus acquired.
Life (n.) would not be possible at all if it were always guided by reason.
Life (n.) is lived truly when tiny changes occur.
Art (n.) is a means of union among men, joining them together in the same feeling.
Art (n.) is a microscope which the artist fixes on the secrets of his soul, and shows to people these secrets which are common to all.
Art (n.) is . along with science, marked by an external sign; namely, that the artist's productions will be intelligible to all the people whose welfare he has in view.
Art (n.) is, along with science, marked by an inward mark: Namely, that the artist will fulfill his vocation, not for profit but with self-sacrifice.
Art (n.) is art when it has this characteristic it unites people.
Art (n.) is not a handicraft, it is the transmission of feeling the artist has experienced.
Art (n.) is not a means to pleasure, but rather, one of the conditions of human life, one of the means of effective communication between people.
Art (n.) is not a pleasure, a solace, or an amusement... art is great matter.
Art (n.) is not a pleasure, a solace, or an amusement... it is a great matter, an organ of human life, transmitting man's reasonable perception into feeling.
Art (n.) lifts man from his personal life into the universal life.
Art (n.) , when it is counterfeit, has as its consequence the perversion of man, pleasure which never satisfies, and the weakening of man's spiritual strength.
Art (n.) is tasked with making understood and felt that which, in the form of an argument, might be incomprehensible and inaccessible.
Art's (n.) consequence is the introduction of a new feeling into the intercourse of life.
Art (n.) is the field on which the evolution of feeling is played out such that lower feelings (less kind and less needed for the good of humanity) are forced out and replaced by kinder feelings which better serve us individually and collectively.
Art (n.) is the means through which one transmits feelings while words are the means through which one transmits thoughts.
Art (n.) is the uniting of the subjective with the objective, of nature with reason, of the unconscious with the conscious. It is thus the highest means of knowledge.
Art (n.) is a human activity consisting of this, that one man, usually by means of external signs, hands on to others feelings he has lived through such that other people are infected by these feelings, and also experience them.
Art (n.) is a human activity having for its purpose the transmission to others of the highest and best feelings to which men have risen.
Art (n.) is always something that unites people.
Marriage (n.) is not so much about how compatible you are but how you deal with incompatibility.
Truth (n.) is discovered by reason only, not by faith.
Truth (n.) is revealed not in debate, but in solitude.
The Truth (n.) is obtained much like one obtains gold, not by letting it grow bigger, but by washing off from it everything that isn't gold.
Truth (n.) is pleasurable not in the discovery of it, but in searching for it.
Truth (n.) is like gold; it is to be obtained not by its growth, but by washing away from it all that is not gold.
Happiness (n.) is in one's ability to love others.
Happiness (n.) is not achieved through effort... rather, effort itself is happiness.
Happiness (n.) is pleasure without regret.
Happiness (n.) consists in always aspiring perfection, so the pause in any level in perfection is the pause of happiness.
Happiness (n.) does not depend on outward things, but on the way we see them.
Happiness (n.) is only possible where the link between man and nature is not broken.
Happiness (n.) is as good as rightness. The one who is happy is the one who is right.
Happiness (n.) is an allegory, unhappiness a story.