140 definitions
The book's index
Violence, the Sacred, and Things Hidden (Esprit discussion, 1973)
114 concepts · 140 definitions
- allegory1
- anthropology2
- anthropomorphism1
- Antigone1
- apocalypse2
- apologetics1
- atomic age1
- binary opposition1
- chaos1
- Christ1
- Christianity1
- collective violence1
- community1
- comparative religion1
- conflict1
- cornerstone1
- crisis1
- critique1
- crucifixion1
- cultural difference1
- dance2
- demystification1
- desire1
- despair1
- discourse1
- divine vengeance1
- double1
- enemy brothers1
- ethnology1
- expulsion1
- fertility rite1
- festival1
- forgetting1
- founding murder1
- founding violence1
- God1
- gospel1
- history1
- humanity1
- identification1
- identity politics1
- impurity1
- incest1
- institution1
- inversion1
- kingdom of God2
- knowledge1
- logos2
- lynching1
- mask1
- masochism1
- mimesis1
- mirror stage1
- misunderstanding1
- model1
- modern thought1
Ritual (n.) is the murder that saved the community, repeated on purpose in the hope that it will save it again.
Ritual (n.) replays the crisis in three acts: ever-faster inversions, then twins who cannot be told apart, then the sudden return of order through sacrifice.
Ritual (n.) must restage the disorder along with the cure, which is why rites so often break the very prohibitions the culture holds dear.
Ritual (n.) is a paradox: it makes men relive, in close rehearsal, the very disaster they most want never to return.
The Sacred (n.) is a murdered victim seen from the community's side: dangerous because it once brought chaos, benevolent because, once expelled, it seems to keep watch from outside.
The Sacred (n.) is human violence transfigured — needed for humanity's survival for ages and now worn out, whether or not we destroy ourselves.
The Sacred (n.) is cursed and blessed at once, and that is no riddle once you see both faces come from one and the same killing.
The Sacred (n.) is everything that bears down on people from beyond their control, for better or worse.
Psychoanalysis (n.) explains incest forbidden and incest required with equal ease, which is the trouble: like crediting a locomotive's libido for trains going left and right, it lacks the junction boxes.
Psychoanalysis (n.) sees the double only as a ghost haunting one subject, never as what it is: two people actually fighting.
Psychoanalysis (n.) rests on a solipsism: it studies the isolated subject and never the relation between two people.
Undifferentiation (n.) is the strange furnace culture passes through: differences melt down in violence and come out the other side harder and clearer than before.
Undifferentiation (n.) is what one situation looks like from two places: from inside the system it feels like difference, from outside it looks like inversion.
Undifferentiation (n.) is not a state of a system but a moment of tension, when all its differences start whirling about in search of a boundary that has vanished.
Sacrifice (n.) is the midwife of social order: out of the bloody moment when all distinctions collapse are born the clans, the seasons, the subdivisions.
Sacrifice (n.) is a road we strain to tear ourselves off, and the strain itself pulls us back onto it, since sacrifice and violence are one.
Sacrifice (n.) has lost its power, and the Gospel kicks away the last ritual crutch: we must now make peace without victims or perish.
Science (n.) forbids the old sacrificial release: ritual needed violence to run free up to a peak, and with today's weapons, a little slack means total ruin.
Science (n.) is never more than one more set of texts; a hypothesis earns respect by what it yields, not by calling itself scientific.
A Science (n.) that finally takes root does not sneer at its failed forerunners; it digs through them for the intuitions they got right.
Reciprocity (n.) is only ever perfect at the extremes — total violence or total nonviolence — and humanity has managed only the first.
Reciprocity (n.) terrified archaic peoples for good reason: whenever it broke through the screen of custom, it became runaway competition and then mutual violence.
Anthropology (n.) does not explain the Gospels; the Gospels have been quietly driving anthropology, which is only now catching up with what they already said.
Anthropology (n.) was aimed for a century at disproving the Judeo-Christian claims, and the irony would be complete if, at the finish line, it confirmed them.
The Apocalypse (n.) is not God avenging his son but men left alone with their own violence — brother against brother, nation against nation.
The Apocalypse (n.) grows more likely, not less, once humanity has thrown out its celestial punishers: with no god to blame, the terror is purely human.
Dance (n.) is the most mimetic art not because it pictures anything, but because two faces answer each other's gestures as in a mirror.
Dance (n.) is combat with the hostility drained out: once the matching blows are seen as copying, the fight turns into rhythm.