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140 definitions

Rene GirardViolence, the Sacred, and Things Hidden (Esprit discussion, 1973)Dictionaryish

The book's index

Violence, the Sacred, and Things Hidden (Esprit discussion, 1973)

114 concepts · 140 definitions

A–M · 56 concepts · 61 definitions
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Ritual (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the murder that saved the community, repeated on purpose in the hope that it will save it again.

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Ritual (n.) replays ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the crisis in three acts: ever-faster inversions, then twins who cannot be told apart, then the sudden return of order through sacrifice.

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Ritual (n.) must ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠restage the disorder along with the cure, which is why rites so often break the very prohibitions the culture holds dear.

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Ritual (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a paradox: it makes men relive, in close rehearsal, the very disaster they most want never to return.

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The Sacred (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a murdered victim seen from the community's side: dangerous because it once brought chaos, benevolent because, once expelled, it seems to keep watch from outside.

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The Sacred (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠human violence transfigured — needed for humanity's survival for ages and now worn out, whether or not we destroy ourselves.

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The Sacred (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠cursed and blessed at once, and that is no riddle once you see both faces come from one and the same killing.

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The Sacred (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠everything that bears down on people from beyond their control, for better or worse.

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Psychoanalysis (n.) explains ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠incest forbidden and incest required with equal ease, which is the trouble: like crediting a locomotive's libido for trains going left and right, it lacks the junction boxes.

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Psychoanalysis (n.) sees ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the double only as a ghost haunting one subject, never as what it is: two people actually fighting.

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Psychoanalysis (n.) rests ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠on a solipsism: it studies the isolated subject and never the relation between two people.

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Undifferentiation (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the strange furnace culture passes through: differences melt down in violence and come out the other side harder and clearer than before.

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Undifferentiation (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠what one situation looks like from two places: from inside the system it feels like difference, from outside it looks like inversion.

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Undifferentiation (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not a state of a system but a moment of tension, when all its differences start whirling about in search of a boundary that has vanished.

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Sacrifice (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the midwife of social order: out of the bloody moment when all distinctions collapse are born the clans, the seasons, the subdivisions.

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Sacrifice (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a road we strain to tear ourselves off, and the strain itself pulls us back onto it, since sacrifice and violence are one.

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Sacrifice (n.) has ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠lost its power, and the Gospel kicks away the last ritual crutch: we must now make peace without victims or perish.

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Science (n.) forbids ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the old sacrificial release: ritual needed violence to run free up to a peak, and with today's weapons, a little slack means total ruin.

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Science (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠never more than one more set of texts; a hypothesis earns respect by what it yields, not by calling itself scientific.

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A Science (n.) that ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠finally takes root does not sneer at its failed forerunners; it digs through them for the intuitions they got right.

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Reciprocity (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠only ever perfect at the extremes — total violence or total nonviolence — and humanity has managed only the first.

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Reciprocity (n.) terrified ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠archaic peoples for good reason: whenever it broke through the screen of custom, it became runaway competition and then mutual violence.

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Anthropology (n.) does ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not explain the Gospels; the Gospels have been quietly driving anthropology, which is only now catching up with what they already said.

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Anthropology (n.) was ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠aimed for a century at disproving the Judeo-Christian claims, and the irony would be complete if, at the finish line, it confirmed them.

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The Apocalypse (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not God avenging his son but men left alone with their own violence — brother against brother, nation against nation.

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The Apocalypse (n.) grows ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠more likely, not less, once humanity has thrown out its celestial punishers: with no god to blame, the terror is purely human.

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Dance (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the most mimetic art not because it pictures anything, but because two faces answer each other's gestures as in a mirror.

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Dance (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠combat with the hostility drained out: once the matching blows are seen as copying, the fight turns into rhythm.