Bleed

Exist Before Interpretation

Feel Heavier Than They Look

Feel Heavy In Your Hands

Gather At A Waterfall

Invite Touch

Rattle In The Dryer

Sink In

Weigh Like Ash

Weigh Like Chlorine

Weigh Like Copper

Weigh Like Dust

Weigh Like Echo

Weigh Like Glass

Weigh Like Glue

Weigh Like Iron

Weigh Like Lint

Weigh Like Metal

Weigh Like Midnight

Weigh Like Mildew

Weigh Like Milk

Weigh Like Morning

Weigh Like Paper

Weigh Like Rain

Weigh Like Rope

Weigh Like Rust

Weigh Like Salt

Weigh Like Silence

Weigh Like Smoke

Weigh Like Static

Weigh Like Stone

Weigh Like Sugar

Weigh Like Summer

Weigh Like Vinegar

Weigh Like Water

Weigh Like Wine

Weigh Like Winter

Weigh Like Wire

Weigh Like Wood

Weigh On You

stone

autumn

haiku

wind

rock

multitasking

Chuck Norris

pyramid

trivia

monument

Washington Monument

anagram

moss

is a metaphor for eternity, while wood stands for transience.

Mike Parker Pearson and colleagues involved in the Stonehenge Riverside Project [see] stone as a metaphor for eternity, while wood stands for transience.

is, for the stonemason, supportive of a good life and doubly representative of stability, endurance, and even transcendental beauty.

Daisy's father the stonemason sees stone as 'supportive of a good life and representative of stability, endurance, and even transcendental beauty,' Slethaug argues, as it is the substance which supports and images his progress through life. . . .

is ingrained with geological and historical memories.

A stone is ingrained with geological and historical memories. Andy Goldsworthy

Stone is more stony than it used to be. In general we no longer understand architecture... at least we do not do so nearly as well as we understand music. We have grown out of the symbolism of lines and figures, just as we have weaned ourselves from the sound-effects of rhetoric, and no longer imbibe this kind of cultural mother's milk from the first moment of our lives. Everything in a Greek or Christian building originally signified something, and indeed something of a higher order of things: this feeling of inexhaustible significance lay about the building like a magical veil. Beauty entered this sytem only incidentally, without essentially encroaching upon the fundamental sense of the uncanny and exalted, of consecration by magic and the proximity of the divine... at most beauty mitigated the dread but this dread was everywhere the presupposition. What is the beauty of a building to us today' The same thing as the beautiful face of a mindless woman: something mask-like. (nietzsche 'human all too' : 101)

is red for the same reason that our blood is red, because of its iron content.

The reason why the stone is red is its iron content, which is also why our blood is red. Andy Goldsworthy

is a thing  that always has a statue inside. It is the task of the sculptor to discover it.

Every block of stone has a statue inside it and it is the task of the sculptor to discover it. Michelangelo

is worn away by the fall of dropping water.

The fall of dropping water wears away the Stone. Lucretius

's truth is not in the touch of it, but in what it tells you.

The truth is not in the touch of a stone, but in what the stone tells you. Rene Denfeld, The Enchanted

stone, n.All

stone