Cinema (n.) is a manifestation of reality. If it is an imaginary of reality it is an extraction or subtraction from the potential that this reality already is.
Cinema (n.) is material and immaterial, a form of becoming rather than a mode of signification or meaning. It possesses an immanence of being in which matter, motion, and consciousness are inseparably intertwined.
Cinema (n.) is the one twentieth-century art form that comes closest to producing automatically a bergsonian intuition of movement.
Cinema (n.) is time experienced without the method of cinematographical intellection. It does not give us an image to which movement is added, it immediately gives us a movement-image.
Cinema (n.) can capture the movement of madness because it is not analytical and regressive but explores a global field of coexistence.