Gilles Deleuze521 definitions
The Abstract machine (n.) is neither a last-stage determining infrastructure nor a supremely determining transcendental idea, but rather, it plays a piloting role.
Abstract painting (n.) is nothing but sensation. It is 'paths that go for a walk' in their surroundings.
The Actual (n.) is, together with the virtual, what makes up two mutually exclusive yet jointly sufficient characterizations of the real.
An Affect (n.) is a being whose validity lies in itself and exceeds man so much so that we might say that it exists in the absence of man.
An Affect (n.) is a nonhuman becoming of man captured in cezanne's notion that not a 'minute of the world passes that we will preserve if we do not 'become that minute.
Affect (n.) is a quality power which can be grasped either as actualized in a state of things or expressed by a face.
An Affect (n.) is a relay, an intermediary zone, or skin of contact, between the other and one's own body, between two moments in time, between the 'no longer' and the 'not yet'.
An Affect (n.) is an uprooting of one from one's humanity, if only for an instant, throwing the self into upheaval as one scrape at one's bread like a rodent or giving one the yellow eyes of a feline.
An Affect (n.) is capable of going beyond feeling. Captain ahab does not merely imitate moby dick or reflect him, rather he can be said to enter into a state of becoming with him which is something more than resemblance, but more like a light in the distance that captures both of them in a single reflection.
The Affect (n.) is impersonal... independent of all determinate space-time... but it is nonetheless created in a history which produces it as the expressed and the expression of a space or a time, of an epoch or a milieu.
An Affect (n.) is, in art, feeling which exceeds itself and is of such solidity that, for example, Caude Simon can sculpt an affect of clay.
An Affect (n.) is not a feeling. It goes beyond the strength of those who undergo them and could in fact be said to exist in the absence of man, because man, as he is caught in stone, on the canvas, or by words, is himself a compound of affects.
An Affect (n.) is not a personal feeling, but the ability to affect and to be affected at a distance... not a transformation but a passing over.
An Affect (n.) is not the passage from one lived state to another but a non-human becoming in man such that we might say, along with cezanne, that not a minute of the world passes that we will preserve if we do not become that minute.
An Affect (n.) is singular because it has no reason or justification, no order or relation outside itself.
An Affect (n.) is registered as stimuli in feelings, moods, and sentiments, which are its subordinate sensations
Affirmation (n.) is not to bear, carry, or harness oneself to that which exist, but on the contrary to unburden, unharness, and set free that which lives.
Agency (n.) is a fantasy needing to be dissolved along with the subject, to be sure, but enough of the stuff must be kept on hand if only to turn it against its own system when the circumstances demand.
America (n.) is a liberation from the closed confines of european consciousness.
America (n.) is a society of brothers. It is very resolutely the land of the brother and europe that of the father and this while the nexus of mobility/immobility is unconnected to America and remains happily indeterminate.
