Illusion (n.) was one of reality's natural predators, and with its strength gone reality spreads like a desert.
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Illusion (n.) at its fullest works by leaving things out: in the Peking Opera two bodies on a skiff, never touching, conjure a whole river at night.
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Illusion (n.) depends on secrets, on things being absent from themselves, held back inside their own appearances.
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Illusion (n.) has no history; aesthetic form has one, and anything with a history also has its time to end.
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Illusion (n.) loved for its own sake is the pleasure of breaking up a pattern of meaning that has set too perfectly.