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20 definitions

Thomas Beecham

Thomas Beecham

1879 – 1961

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The Bagpipes (n.) are β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β an instrument that sounds exactly the same when you have finished learning it as when you start.

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A Brass band (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β all very well in their place - outdoors and several miles away.

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A Composer (n.) really β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β ought to write tunes that chauffeurs and errand boys can whistle.

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The Englishman (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β not prone to like music, but they absolutely love the noise it makes.

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The Harpsichord (n.) sounds β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β like two skeletons copulating on a corrugated tin roof.

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The Harpsichord (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β an instrument whose sound resembles that of a bird-cage played with toasting forks.

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Hiring women (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β inadvisable because if they're pretty, they distract my musicians, and if they're not, they distract the conductor.

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Jazz's (n.) purpose β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β is the destruction of music.

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Jazz (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β the most degraded form of human aberration.

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Karlheinz Stockhausen (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β an experimental musician. Even if you have not heard it you likely have stepped in some.

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Karlheinz Stockhausen (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β a composer you man not have heard from, but you've likely stepped in some.

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Ludwig van Beethoven (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β a composer whose last quartets were written by a deaf man and should only be listened to by a deaf man.

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Music (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β good when it is that which penetrates the ear with facility and quits the memory with difficulty.

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Music (n.) is β β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€‹β€Œβ€Œβ€‹β€‹β€‹β€‹β€Œβ€‹β€Œβ€‹β€‹β€Œβ€Œβ€‹β€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€‹β€‹β€Œβ€Œβ€‹β€‹β€Œβ€‹β€‹β€‹β€Œβ€Œβ€‹β€Œβ€Œβ€‹β great when it penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.