The City (n.) is an ensemble of 'indirect gatherings,' defined by relations of alterity, dominated by serial behavior, serial feelings, and serial thoughts.
The City (n.) is, above all, a past for the European. For the American, it is a future.
A City (n.) takes a piece of bare sterile earth and rolls big hollow stones onto it, and odours heavier than air are held captive in those stones.
The City (n.) keeps direct human relations opaque, because they are always conditioned by all others, and from that comes the myth of the capital and its mysteries.
A City (n.) abandons you before you leave it: it straightens its furniture and puts it under dust-sheets, ready to uncover it fresh for new arrivals.
A City (n.) is a material and social organization drawing its reality from the ubiquity of its absence: it is present in every street because it is always elsewhere.
A City (n.) is destructible because man posits it as fragile and precious and surrounds it with protective measures — it is man who destroys his cities through the agency of earthquakes.