Critique (n.) not only suspends judgment but offers a new practice of values based on that very suspension.
Critique (n.) as distance from established authority means risking one's very formation as a subject.
Critique (n.) is the art of voluntary insubordination, of reflected intractability.
Critique (n.) does not judge its objects good or bad; it brings into relief the very framework of evaluation.
Critique (n.) of an authority that poses as absolute requires a practice with self-transformation at its core.
Critique (n.) requires patience, the way reading, for Nietzsche, required us to act more like cows than humans and learn the art of slow rumination.
Critique (n.) has no position outside the field of power — only a critical genealogy of that field's own legitimating practices.
Critique (n.) exposes the limits of the epistemological horizon, making its contours appear for the first time in relation to their own limit.
Critique (n.) began as resistance to ecclesiastical rule: returning to the Scriptures to question what kind of truth they told.
Critique (n.) as an attitude is not moral according to the rules whose limits it interrogates, and so must risk being denounced as immoral, evil, or aesthetic.
Critique (n.) is the art of not being governed like that, by that, in the name of those principles, at that cost — not the art of being ungovernable.
Critique (n.) is not wanting to be governed: not accepting as true what an authority tells you because an authority tells you — accepting it only if you find the reasons valid.
Critique (n.) is always a critique of some instituted practice; it loses its character the moment it is abstracted and made to stand alone as a generalizable practice.
Critique (n.) is concerned with the occlusive constitution of the field of categories themselves rather than with how, as with judgement, particulars are subsumed into already constituted categories.
Critique (n.) emerges from a tear in the fabric of our epistemological web, where the categories that order social life produce incoherence and whole realms of unspeakability.
Critique (n.) as practice does not well up from the innate freedom of the soul; it is formed in the crucible between rules already there and a stylization of acts that reformulates them.